21 DEC 2021
[Translate to Englisch:] 55 Min

WIE MAN VIELFALT UND ANDERSARTIGKEIT IN DER GLOBALEN PERFORMANCEKUNST KURATIERT

(Essay mit einem Interview mit Claude Jansen)

Der vorliegende Artikel ist eine gekürzte deutsche Fassung des 2021 bei De Gruyter in Open Access erschienenen englischen Originals: Gaupp, L. (2021), 'How to Curate Diversity and Otherness in Global Performance Art‘.1

WIE MAN VIELFALT UND ANDERSARTIGKEIT IN DER GLOBALEN PERFORMANCEKUNST KURATIERT

LISA GAUPP WILL BE APPOINTED UNIVERSITY PROFESSOR OF CULTURAL INSTITUTIONS STUDIES AT THE UNIVERSITY OF MUSIC AND PERFORMING ARTS VIENNA (MDW) AS OF MARCH 2022. SHE RESEARCHES AND TEACHES ON CULTURAL ORGANIZATIONS, MUSICAL PRACTICES, PERFORMING ARTS, MIGRATION, INEQUALITIES, GLOBAL INTERCONNECTIONS, URBAN SPACES, POLITICS, DIVERSITY AND DECOLONIZATION. AFTER STUDYING APPLIED CULTURAL STUDIES AND INTERCULTURAL & INTERNATIONAL STUDIES AT THE UNIVERSITIES OF LÜNEBURG AND BARCELONA, SHE RECEIVED HER PHD IN MUSICOLOGY/ ETHNOMUSICOLOGY FROM THE HANOVER UNIVERSITY OF MUSIC, DRAMA AND MEDIA (SUMMA CUM LAUDE). LISA GAUPP IS CO-EDITOR OF "DIVERSITY AND OTHERNESS. TRANSCULTURAL INSIGHTS INTO NORMS, PRACTICES, NEGOTIATIONS" (DE GRUYTER), OF "ARTS AND POWER. POLICIES IN AND BY THE ARTS" (SPRINGER) AND A BOOK SERIES ON "URBAN MUSIC STUDIES" (INTELLECT).