ITI - Journal
The ITI Journal features national and international authors from academia and artistic practice who report on the performing arts in a transnational context, cultural policy or cultural discourses in a broader sense.
Christine Henniger examines the international festival THEATER DER WELT as a catalyst for cultural, social and urban developments.
Zoë Svendsen's understanding of a climate dramaturgy argues in favour of combining artistic goals with responsibility for people and the environment.
Activist Alex D. Loo on the need for collective care, fear as a resource and dealing with conflict.
Ukhona Ntsali Mlandu's perspective on environmental sustainability focuses on concepts such as solidarity, care, hospitality and justice.
Dora Yuemin Cheng shines a light on the new generation of Chinese female theatre artists and their entanglement with digital reality in China.
The Russian critic Alla Shenderova asks herself and colleagues in exile and in Russia about a possible future and what it means to be Russian now.
Ukrainian theatre director and playwright Oleksandr Seredin talks about his experiences in the war and how it changed his attitude towards theatre and himself.
Ozi Ozar looks at the revolution in Iran, the expectations of life in exile and what institutions and theatre makers can do to support.
Bárbara Santos, founder of the Ma(g)dalena International Network and creator of the Feminist Theatre of the Oppressed methodology, reflects on feminist aesthetics as a starting point for artistic and activist work.
Dr. Nicola Scherer gave the keynote speech, excerpts of which are published here, at the ITI Academy Kick Off Weekend in December 2021.